Live Edge Sycamore and Angle Iron standing conference table. 96L x 26W x 42H  The concept was to make a table that was a sort of 'landing pad' for laptops and smart phones with a hidden cable tray running down the center for charging cables.  This way, a group can be more free to interact, adjust their point of view and share more easily the contents of their screens instead of being locked in position by chairs.

Live Edge Sycamore and Angle Iron standing conference table. 96L x 26W x 42H The concept was to make a table that was a sort of 'landing pad' for laptops and smart phones with a hidden cable tray running down the center for charging cables. This way, a group can be more free to interact, adjust their point of view and share more easily the contents of their screens instead of being locked in position by chairs.

jewelry by Brett

jewelry by Brett

Objects: A Two-Man Show With Ray Colleran And Oliver Peterson At Ashawagh Hall - East Hampton, NY - Hamptons.com

Objects: A Two-Man Show With Ray Colleran And Oliver Peterson At Ashawagh Hall - East Hampton, NY - Hamptons.com

douglas little - Google Search

douglas little - Google Search


Mais ideias
Jason Jagel. Storybook, 2011  Gouache on paper

Jason Jagel. Storybook, 2011 Gouache on paper

Citation: Claes Oldenburg, Lucas Samaras, George Segal, Patty Mucha, and Robert Rauschenberg at Robert Scull's East Hampton residence, ca. 1968 / unidentified photographer. Robert Scull papers, Archives of American Art, Smithsonian Institution.

Citation: Claes Oldenburg, Lucas Samaras, George Segal, Patty Mucha, and Robert Rauschenberg at Robert Scull's East Hampton residence, ca. 1968 / unidentified photographer. Robert Scull papers, Archives of American Art, Smithsonian Institution.

Monster Python Mercurius as Three HeadedMan-bird snake with red mid-calf boots. 1600

Monster Python Mercurius as Three HeadedMan-bird snake with red mid-calf boots. 1600

Robert Rauschenberg, 1969      "I love Los Angeles. I once said publicly that one of the reasons I like Los Angeles is that it is a thousand miles wide and a quarter of an inch deep. I find L.A. both innocent and stimulating. It has that kind of Western feeling, a controversial rawness. The city works with my renegade feelings about what art is, both of what it's not supposed to be and what it could be." -RR

Robert Rauschenberg, 1969 "I love Los Angeles. I once said publicly that one of the reasons I like Los Angeles is that it is a thousand miles wide and a quarter of an inch deep. I find L.A. both innocent and stimulating. It has that kind of Western feeling, a controversial rawness. The city works with my renegade feelings about what art is, both of what it's not supposed to be and what it could be." -RR

Sotheby's London: "Contemporary Art Evening Auction" Lot 16Zao Wou-ki"10.01.91," 1991[content:shareblock]  Estimate: 600,000 - 800,000 British pounds Price realized: 1,609,250 British pounds Courtesy Sotheby's[content:advertisement-center]

Sotheby's London: "Contemporary Art Evening Auction" Lot 16Zao Wou-ki"10.01.91," 1991[content:shareblock] Estimate: 600,000 - 800,000 British pounds Price realized: 1,609,250 British pounds Courtesy Sotheby's[content:advertisement-center]

BOOK PAGES - Ray Colleran - Artwork -

BOOK PAGES - Ray Colleran - Artwork -

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