But his new workspace, that now harvests so much of his inventive energy, wasn't always a breeding ground for ideas. When he first saw the third floor gem with views of the boulevard, he says it was dark with low ceilings and a maze of walls. Instinctively Bush's transformed the lackluster, closed-off layout into a bright white, loft-like studio. "We don't turn the lights on half the time because there is so much light in here," he says of the sunny surroundings that led him to pick-up the paint
