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Artista: Artemisia Gentileschi (1593–1653)  Título: Judith and her maidservant  Data :cerca de 1612-1613  Técnica: 	Óleo sobre tela  Dimensões:114 × 93.5 cm  Localização actual: Palácio Pitti

Artista: Artemisia Gentileschi (1593–1653) Título: Judith and her maidservant Data :cerca de 1612-1613 Técnica: Óleo sobre tela Dimensões:114 × 93.5 cm Localização actual: Palácio Pitti

Artemisia Gentileschi. Artista formada en el taller de su padre que era seguidor de Caravaggio. El trabajo de Artemisa se diferencia del de otras mujeres por sus obras a gran escala basadas frecuentemente en temas bíblicos o mitológicos protagonizados por «heroínas» o «mujeres fuertes» y también por el tratamiento poco convencional que recibe en sus lienzos la iconografía del heroísmo femenino. Ejemplo: «Susana y los Viejos».

Artemisia Gentileschi: Portrait of a Lady, and an Artist, in the Years of Baroque

Artemisia Gentileschi. Artista formada en el taller de su padre que era seguidor de Caravaggio. El trabajo de Artemisa se diferencia del de otras mujeres por sus obras a gran escala basadas frecuentemente en temas bíblicos o mitológicos protagonizados por «heroínas» o «mujeres fuertes» y también por el tratamiento poco convencional que recibe en sus lienzos la iconografía del heroísmo femenino. Ejemplo: «Susana y los Viejos».

Artemisia Gentileschi, Judith Slaying Holofernes, 1614–20. I find the gruesome imagery of this painting to be incredibly moving. Inspired by Caravaggio, Artemisia used aggressive contrast to really emphasize the subject matter. The portrayal of the facial expressions is chilling, and she successfully achieved the appearance of the physical weight and struggle.

Can you tell which of these was made by a man and which a woman?

Artemisia Gentileschi, Judith Slaying Holofernes, 1614–20. I find the gruesome imagery of this painting to be incredibly moving. Inspired by Caravaggio, Artemisia used aggressive contrast to really emphasize the subject matter. The portrayal of the facial expressions is chilling, and she successfully achieved the appearance of the physical weight and struggle.

"Magdalena Desvanecida", de Artemisia Gentileschi, 1625

"Magdalena Desvanecida", de Artemisia Gentileschi, 1625

Caravaggio, Judith Beheading Holofernes, 1599 A pintura amostra o general (Holofernes) decapitado por Judite, aquela mulher que o seduziu uma noite. Provocava reações de horror e surpresa entre os visitantes da sua primeira sede, pois Caravaggio conseguiu dotar à obra de grande realismo e crueza. Judite amostra-se de pé, majestosa e impertérrita, enquanto a sua criada, quem proporciona a espada, está nervosa e à espreita do que pudesse acontecer.

Caravaggio, Judith Beheading Holofernes, 1599 A pintura amostra o general (Holofernes) decapitado por Judite, aquela mulher que o seduziu uma noite. Provocava reações de horror e surpresa entre os visitantes da sua primeira sede, pois Caravaggio conseguiu dotar à obra de grande realismo e crueza. Judite amostra-se de pé, majestosa e impertérrita, enquanto a sua criada, quem proporciona a espada, está nervosa e à espreita do que pudesse acontecer.

Artemisia Gentileschi

Artemisia Gentileschi

“Right Hand of Artemisia Gentileschi Holding a Brush.” ( Detail )  ~ Nicolaes Eliaszoon Pickenoy

“Right Hand of Artemisia Gentileschi Holding a Brush.” ( Detail ) ~ Nicolaes Eliaszoon Pickenoy

Judith Slaying Holofernes by Artemisia Gentileschi, one of the only women Renaissance painters. In the Uffizi

Judith Slaying Holofernes by Artemisia Gentileschi, one of the only women Renaissance painters. In the Uffizi

Artemisia Gentileschi - Judith & Maidservant with the Head of Holofernes - 1625   At the Detroit Institute of Arts  One of my FAVORITE paintings (EVER)

Artemisia Gentileschi - Judith & Maidservant with the Head of Holofernes - 1625 At the Detroit Institute of Arts One of my FAVORITE paintings (EVER)

Self portrait by Artemisia; an accepted and prominent artist of the Baroque period. She had to be strong...

Self portrait by Artemisia; an accepted and prominent artist of the Baroque period. She had to be strong...

Artemisia Gentileschi (1593 – 1656) was a female Italian Baroque painter in a time when women were not accepted as artists and certainly not even allowed to paint. Today she is now considered one of the most accomplished painters in the generation after Caravaggio and is well known for painting strong minded women from mythology that dominate over men.     To read more...see http://theartappreciationblog.blogspot.com/2012/10/the-art-of-artemisia-gentileschi.html

Day 3: Artemisia Gentileschi

Artemisia Gentileschi (1593 – 1656) was a female Italian Baroque painter in a time when women were not accepted as artists and certainly not even allowed to paint. Today she is now considered one of the most accomplished painters in the generation after Caravaggio and is well known for painting strong minded women from mythology that dominate over men. To read more...see http://theartappreciationblog.blogspot.com/2012/10/the-art-of-artemisia-gentileschi.html

Artemisia Gentileschi - A Sibyl                                                                                                                                                                                 More

Artemisia Gentileschi - A Sibyl More

Artemisia Gentileschi  "Self Portrait as the Allegory of Painting"  http://knell63.hubpages.com/hub/History-of-Female-Renaissance-Artists --

Renaissance Art and Artists - Famous Female painters

Artemisia Gentileschi "Self Portrait as the Allegory of Painting" http://knell63.hubpages.com/hub/History-of-Female-Renaissance-Artists --

Artemesia Gentileschi

Water & Womyn: The Art of Alyssa Monks

Artemesia Gentileschi

LUTE PLAYER - ARTEMISIA GENTILESCHI, C. 1612-20

LUTE PLAYER - ARTEMISIA GENTILESCHI, C. 1612-20

1612 Artemisia Gentileschi (Italian; 1593-1656) ~ 'St. Francis and Angel'

1612 Artemisia Gentileschi (Italian; 1593-1656) ~ 'St. Francis and Angel'