Dora maar

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Picasso and Dora by Man Ray

Picasso and Dora by Man Ray

Dora Maar, par Man Ray 1936 - Photographe surréaliste, effacée de l'HIStoire, phagocitée par le vampire Picasso - 1907-1997

Dora Maar, par Man Ray 1936 - Photographe surréaliste, effacée de l'HIStoire, phagocitée par le vampire Picasso - 1907-1997

Dora Maar and Man Ray - 1936, The Years Lie in Wait for You / Spider / Nusch Eluard

Dora Maar and Man Ray - 1936, The Years Lie in Wait for You / Spider / Nusch Eluard

Photographies Dora Maar & Man Ray, Man Ray- Nush Eluard, Le temps déborde , 1947 par Paul Eluard on ArtStack #photographies-dora-maar-man-ray #art

Photographies Dora Maar & Man Ray, Man Ray- Nush Eluard, Le temps déborde , 1947 par Paul Eluard on ArtStack #photographies-dora-maar-man-ray #art

Dora Maar photographed by the pioneer Man Ray

Dora Maar photographed by the pioneer Man Ray

Dora Maar, Baigneuse, 1931

Dora Maar, Baigneuse, 1931

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Dora Maar, Double Portrait (ca. 1930s). Photo: Courtesy Robert Klein Gallery.

Dora Maar, Double Portrait (ca. 1930s). Photo: Courtesy Robert Klein Gallery.

Dora Maar (1907-1997) - French photographer, poet and painter, best known for being a lover and muse of Pablo Picasso. Photo by Irving Penn, 1948

Dora Maar (1907-1997) - French photographer, poet and painter, best known for being a lover and muse of Pablo Picasso. Photo by Irving Penn, 1948

Dora Maar -Picasso muse for Weeping Woman!" For years, this epithet has followed every mention of her, as if tears were her only significant characteristic. Or, more sympathetically: "The trajectory of Her in life as in photography, seems that of a meteorite which came too near the sun ..." Maar's later years, lived as a recluse, further fixed her as a victim. She was said to have suffered "a nervous breakdown nearly of madhouse gravity and to be living in seclusion". Her life was not so dif

Dora Maar -Picasso muse for Weeping Woman!" For years, this epithet has followed every mention of her, as if tears were her only significant characteristic. Or, more sympathetically: "The trajectory of Her in life as in photography, seems that of a meteorite which came too near the sun ..." Maar's later years, lived as a recluse, further fixed her as a victim. She was said to have suffered "a nervous breakdown nearly of madhouse gravity and to be living in seclusion". Her life was not so dif

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