This ceramic piece is by Grayson Perry i like it because it is colourful and i also like the shape.

This ceramic piece is by Grayson Perry i like it because it is colourful and i also like the shape.

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''The Grayson Perry'' ''I think the artists who will go down in history are the ones who in some way respond to the moment they're in''

''The Grayson Perry'' ''I think the artists who will go down in history are the ones who in some way respond to the moment they're in''

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Grayson Perry ❤️️

Grayson Perry ❤️️

Inside Grayson Perry's sketchbook | Art and design | The Guardian

Inside Grayson Perry's sketchbook | Art and design | The Guardian

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Grayson Perry, Map of Truths and Beliefs tapestry (detail). The tapestry is modelled on the design of the British Museum building, yet incorporates a unique map of the world.

Grayson Perry, Map of Truths and Beliefs tapestry (detail). The tapestry is modelled on the design of the British Museum building, yet incorporates a unique map of the world.

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Grayson Perry! I used to make things like this. I called them visual poems. I call a lot of my work visual poems, coming from a lit background, wondering when I will start looking at what I do as art maybe!

Grayson Perry! I used to make things like this. I called them visual poems. I call a lot of my work visual poems, coming from a lit background, wondering when I will start looking at what I do as art maybe!

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Grayson Perry's tapestries are @Victoria Brown Brown Miro gallery in London until 11 August

Grayson Perry's tapestries are @Victoria Brown Brown Miro gallery in London until 11 August

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Mudlarking: Tudor 1485-1605

Mudlarking: Tudor 1485-1605

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Pretty much...from Grayson Perry's Playing to the Gallery, 2015

Pretty much...from Grayson Perry's Playing to the Gallery, 2015

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Grayson Perry: "I love fakes for they make us think about what it is we see in the authentic. About how much of our awe in front of a great historical artefact is in its inherent beauty and how much is to do with its auspicious provenance."

Grayson Perry: "I love fakes for they make us think about what it is we see in the authentic. About how much of our awe in front of a great historical artefact is in its inherent beauty and how much is to do with its auspicious provenance."

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