Short dress, Madeleine Vionnet, 1927. Silk crepe in a straight shape, round neckline, sleeveless. Bodice and skirt are finely pleated vertically; yoke is finely pleated horizontally. Musée Galliera, Musée de la Mode de la Ville de Paris
Bias Cut: originated by Madeleine Vionnet, a technique for cutting to utilize the diagonal direction of the cloth. It gave greater stretch and draped in a way to accentuate the body lines and curves.
Vionnet Dress - c- 1933 - by Madeleine Vionnet, France - Black rayon jersey one-piece dress; vermillion silk crepe sash; bias cut -
Detail of the Madeleine Vionnet evening gown. In 1918 Vionnet hired Marie-Louise Favot. As a dressmaker and trained artist, Favot designed all of Vionnet's embroidery motifs. Though the motifs were designed in-house, the actual work was contracted out to Michonet, a Parisian embroidery firm founded in 1858. Michonet was later bought by Albert Lesage.
Madeleine Vionnet (French, 1876–1975). Wedding Ensemble. French, 1929. The Metropolitan Museum of Art, New York. Gift of Mrs. Ivan Heukelom Winn, 1974 (1974.261a–c)
Court presentation gown, 1938, Vionnet. Grey silk chiffon with rhinestones and silver beads. FIT Chic Chicago exhibit.