Periodo Medieval

Periodo Medieval

El escultor Matthew Simmonds, especializado en el periodo medieval, esculpe sobre mármol formas arquitectónicas a pequeña escala.

El escultor Matthew Simmonds, especializado en el periodo medieval, esculpe sobre mármol formas arquitectónicas a pequeña escala.

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El escultor Matthew Simmonds, especializado en el periodo medieval, esculpe sobre mármol formas arquitectónicas a pequeña escala.

El escultor Matthew Simmonds, especializado en el periodo medieval, esculpe sobre mármol formas arquitectónicas a pequeña escala.

El escultor Matthew Simmonds, especializado en el periodo medieval, esculpe sobre mármol formas arquitectónicas a pequeña escala.

El escultor Matthew Simmonds, especializado en el periodo medieval, esculpe sobre mármol formas arquitectónicas a pequeña escala.

heart 1
El escultor Matthew Simmonds, especializado en el periodo medieval, esculpe sobre mármol formas arquitectónicas a pequeña escala.

El escultor Matthew Simmonds, especializado en el periodo medieval, esculpe sobre mármol formas arquitectónicas a pequeña escala.

Master Bertram  St Peter (Grabow) Altarpiece  1379-83 Tempera on wood, 266 x 726 cm Kunsthalle, Hamburg  When the first wings of the altarpiece are opened, twenty-four painted panels, a solid screen of colour, are displayed with narratives placed in two rows, one over the other.

Master Bertram St Peter (Grabow) Altarpiece 1379-83 Tempera on wood, 266 x 726 cm Kunsthalle, Hamburg When the first wings of the altarpiece are opened, twenty-four painted panels, a solid screen of colour, are displayed with narratives placed in two rows, one over the other.

PUCCIO DI SIMONE St James the Lesser  1347-49 Tempera on panel, gold ground, 100 x 35 cm Private collection  This panel is one of the existing side wings of a dismembered polyptych which had the Mystic Marriage of Saint Catherine in the centre, and representations of saints on the side panels.

PUCCIO DI SIMONE St James the Lesser 1347-49 Tempera on panel, gold ground, 100 x 35 cm Private collection This panel is one of the existing side wings of a dismembered polyptych which had the Mystic Marriage of Saint Catherine in the centre, and representations of saints on the side panels.

GIOVANNI DI BARTOLOMEO CRISTIANI St Andrew  - Tempera on panel, 122 x 42 cm The Hermitage, St. Petersburg  This panel, formerly ascribed to Nardo di Cione, was part of a polyptych.

GIOVANNI DI BARTOLOMEO CRISTIANI St Andrew - Tempera on panel, 122 x 42 cm The Hermitage, St. Petersburg This panel, formerly ascribed to Nardo di Cione, was part of a polyptych.

"El fin del periodo carolingio ha pasado a los ojos de la posteridad como una de las etapas más oscuras de todo el periodo medieval". Nobleza y caballería en la Edad Media, p.27

"El fin del periodo carolingio ha pasado a los ojos de la posteridad como una de las etapas más oscuras de todo el periodo medieval". Nobleza y caballería en la Edad Media, p.27

CECCO DI PIETRO St Bartholomew  c. 1386 Poplar panel, gold ground, 92 x 30 cm Musée du Petit Palais, Avignon  The four panels in Avignon showing the standing Saints Peter, John the Baptist, Bartholomew and Nicholas probably formed the side panels of an altarpiece which had in the centre the Virgin and Child Enthroned (signed and dated 1386, now in the Portland Art Museum, Portland, Oregon).

CECCO DI PIETRO St Bartholomew c. 1386 Poplar panel, gold ground, 92 x 30 cm Musée du Petit Palais, Avignon The four panels in Avignon showing the standing Saints Peter, John the Baptist, Bartholomew and Nicholas probably formed the side panels of an altarpiece which had in the centre the Virgin and Child Enthroned (signed and dated 1386, now in the Portland Art Museum, Portland, Oregon).

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