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"Geisha on Bridge" by Matita's Art - Illustration of Martina Gallo - Japanese illustration
Helen Hyde "My Neighbours"
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Mother and Child by Helen Hyde
Mother and Child by Helen Hyde, 1901
35: Helen Hyde Original 1907 Color Woodblock Print - Mar 05, 2006 | Myers Fine Art in FL
Helen Hyde "Girl w/ Bough of Toys"Helen Hyde (1868-1919) American, NY. "Girl with Bough of Toys". Original Woodblock ... on Mar 05, 2006
On the Bund at Tokyo
On the Bund at Tokyo by Helen Hyde / American Art
Hyde, Helen (1868 - 1919), "Confidences"
"Blossom Child (2)" by Hyde, Helen
A Summer Girl - Helen Hyde
A Summer Girl by Helen Hyde 1905. A work from the collections of the de Young and Legion of Honor museums of San Francisco, CA.
A Windy Ride
A Windy Ride, 1913, Helen Hyde, color woodcut on paper, 4 1/4 x 5 3/8 in. (10.8 x 13.7 cm), Smithsonian American Art Museum, Gift of Hyde Gillette in memory of Mabel Hyde Gillette and Edwin Fraser Gillette, 1992.13.88
Etcher and Engraver Artist Helen Hyde (American: 1868 - 1919) - Marching as to War, 1904
A Summer Girl by Helen Hyde
A Summer Girl - Helen Hyde 1905
Hyde, Helen (1868 - 1919), "Confidences"
Hyde, Helen (1868-1919), "Complaints" / Castle Fine Arts
The Asian Spring of Mrs. Gifford
Born and bred in Louisville, Kentucky, Marguerite Peters Gifford (1887-1969) spent the first half of her life as a college-educated, upper-middle class wife whose pastimes seem to consist of membership in the Daughters of the American Revolution and president of the Woman’s Club of Louisville. Then, in 1935, Gifford’s Louisville routine was interrupted by the premature death of her husband. Two years later, at age 50, this Louisville widow went on a two-month tour sponsored by the…
Helen Hyde
Helen Hyde (1868-1919) was born in New York, and studied art at the Californian School of Design. She then moved to Berlin where she studied under Franz Skarbina, and after a year moved on …
Helen Hyde And Bertha Jaques
Whenever I look at this photograph of Helen Hyde (1868-1919) I wish I could have known her. The charm, pluck, determination and artistic sense of this picture turn out to be true to life. Bertha Jaques was a twenty-five year old printer when she first read about Helen Hyde's work in The International Studio (1898). “With the confidence of early enthusiasm, I wrote Miss Hyde that I did not believe in adding color to etching and would like to know what she had to say about it.” Hyde responded…