1920s jazz

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an old photo of some people dancing in the middle of a dance floor with other people sitting around

The 1920s was a decade of rapid change, and societal values – particularly among urban elites – quickly shifted from women being expected to be wives who are subordinate to their husbands to women valuing independence and breaking the rules. In other words, many young women became flappers. 36. Flappers…

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Flappers who were women in the 1920s that engaged in the city nightlife. They broke all kinds of beauty standards. They showed their ankles and knees. They cut their hair in short man-like bobs and wore makeup. Women like flappers gained a boost of confidence, so they could now enjoy the activities they wanted to participate in. Gabrielle “Coco” Chanel, french fashion designer, popularized the new look not only in France but America as well. Charleston Dance, 1920s Party, Stephanie Seymour, Lindy Hop, Look Retro, Flapper Girl, 1920s Flapper, Roaring 20s, 20s Fashion

Flappers who were women in the 1920s that engaged in the city nightlife. They broke all kinds of beauty standards. They showed their ankles and knees. They cut their hair in short man-like bobs and wore makeup. Women like flappers gained a boost of confidence, so they could now enjoy the activities they wanted to participate in. Gabrielle “Coco” Chanel, french fashion designer, popularized the new look not only in France but America as well.

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Charleston Dance 1920s, Charleston Dancer, 1920s Trapeze Artist, 1920s Aesthetic, 1920s Headband, Flapper Girl, 1920s Flapper, Roaring 20s, 20s Fashion

The 1920s was a decade of rapid change, and societal values – particularly among urban elites – quickly shifted from women being expected to be wives who are subordinate to their husbands to women valuing independence and breaking the rules. In other words, many young women became flappers. 36. Flappers…

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a group of men and women playing musical instruments

During its brief and rocky tenure from 1918 to 1924, pianist Gertrude Harvey Wright was one of four women in Seattle’s first black musicians’ union, the American Federation of Musicians’ Local 458. Wright, Virginia Hughes, a “Mrs. Austin,” and (Edythe) “Turnham,” all worked with their male counterparts at union headquarters and on the bandstand. After the demise of short-lived Local 458, they next joined and helped run Seattle’s follow-up segregated union, Local 493. This institution…

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a group of men sitting around a piano in front of microphones and music instruments

"The Harlem Stride piano style of James Price Johnson (1894-1955) transformed Ragtime into Jazz. He laid the cornerstone of jazz piano before 1920, influencing Fats Waller, Duke Ellington, Count Basie, Art Tatum and Thelonious Monk. An absolute master of the keyboard with perfect pitch, James P. is recognized as the foremost proponent of Harlem Stride piano. His protege Fats Waller recalled learning more in his first afternoon with Johnson than the previous 10 years"

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