George grosz

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George Grosz's Pillars of Society (1926) Photograph: Akg-Images/AKS0 Ludwig Meidner, Otto Dix, George Grosz, New Objectivity, Max Beckmann, Weimar Republic, Istoria Artei, German Expressionism, Willem De Kooning

New Objectivity

Weimar Republic

German Expressionism

Willem De Kooning

The first world war in German art: Otto Dix's first-hand visions of horror

In 1914 Otto Dix joined the German army as a fierce patriot; two years later he was mowing down British soldiers at the Somme. Yet few artists did more to reveal the true horror of the first world war. Jonathan Jones chronicles a great pacifist rebellion

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https://flic.kr/p/6nYN2a | Grosz, George (1893-1959) - 1917 Metropolis Ludwig Meidner, Erich Heckel, Hans Richter, Hans Thoma, Lovis Corinth, Weimar Germany, Otto Dix, George Grosz, New Objectivity

New Objectivity

Grosz, George (1893-1959) - 1917 Metropolis

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"Café", 1920s // by Georg Grosz (1893 – 1959) Ludwig Meidner, Otto Dix, George Grosz, New Objectivity, Max Beckmann, Hirshhorn Museum, Weimar Republic, Expressionist Artists, German Expressionism

New Objectivity

Hirshhorn Museum

Weimar Republic

Expressionist Artists

German Expressionism

"Café", 1920s // by Georg Grosz (1893 – 1959)

Georg Grosz was an Expressionist German artist known especially for his caricatural drawings of Berlin life in the 1920s

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Georg Grosz was born in Berlin in 1893; one of the most influential artists of the Weimarer Republik, he captured the idiocy & corruption of Germany's ruling class in "Sonnenfinsternis" (Eclipse of the Sun) (1926) Ludwig Meidner, John Heartfield, Erich Heckel, Weimar Germany, Otto Dix, German Fairy Tales, George Grosz, New Objectivity, Max Beckmann

John Heartfield

German Fairy Tales

New Objectivity

COLLECTION SPOTLIGHT: George Grosz and "Eclipse of the Sun" - The Heckscher Museum of Art

Georg Grosz was born in Berlin in 1893; one of the most influential artists of the Weimarer Republik, he captured the idiocy & corruption of Germany's ruling class in "Sonnenfinsternis" (Eclipse of the Sun) (1926)

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George Grosz (1893-1959), ‘The Grey Man Dances’ (1949), ’'George Grosz’’ by John I. H. Baur, 1954 Ludwig Meidner, The Grey Man, Otto Dix, George Grosz, New Objectivity, Max Beckmann, Weimar Republic, Grey Man, German Expressionism

New Objectivity

Weimar Republic

German Expressionism

Ludwig Meidner

George Grosz (1893-1959), ‘The Grey Man Dances’ (1949), ’'George Grosz’’ by John I. H. Baur, 1954

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Artist and Model by George Grosz, 1939 George Grosz, New Objectivity, Weimar Republic, Royal Art, Artists And Models, Max Ernst, Model Drawing, Artist Models, German Art

New Objectivity

Weimar Republic

Artists And Models

Artist and Model by George Grosz, 1939

Artist and Model by George Grosz, 1939

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https://flic.kr/p/6o32ra | Grosz, George (1893-1959) - 1926 Eclipse of the Sun Ludwig Meidner, Neue Galerie New York, Weimar Germany, Otto Dix, George Grosz, New Objectivity, Art Baroque, Max Beckmann, Francis Picabia

Neue Galerie New York

New Objectivity

Francis Picabia

Grosz, George (1893-1959) - 1926 Eclipse of the Sun

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GEORGE GROSZ (1893/1959), GERMAN PAINTER: The love story with shades of Cubism, Expressionism and Futurism - Meeting Benches Weimar Germany, Otto Dix, George Grosz, New Objectivity, Ludwig Kirchner, Max Beckmann, Weimar Republic, German Expressionism, Blog Art

New Objectivity

Ludwig Kirchner

Weimar Republic

German Expressionism

GEORGE GROSZ (1893/1959), GERMAN PAINTER: The love story with shades of Cubism, Expressionism and Futurism - Meeting Benches

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Art Professor, Otto Dix, George Grosz, Peer Gynt, New Objectivity, Weimar Republic, Fritz Lang, Pale Horse, German Expressionism

New Objectivity

Weimar Republic

German Expressionism

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“George Grosz, The Agitator, 1928”

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George Grosz Weimar Germany, Otto Dix, George Grosz, New Objectivity, Max Beckmann, Ludwig Kirchner, Weimar Republic, German Expressionism, Art Terms

New Objectivity

Ludwig Kirchner

Weimar Republic

German Expressionism

Weimar Germany

George Grosz

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