this is in a league of her own. Magnificent. beatingHeart Thank you!
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Opera coat
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A gold lamé and black velvet opera coat, circa 1920s, featuring a black velvet pouf collar and cuffs, as well as a rayon satin lining. No size or label present.
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Yves St. Laurent, fall/winter 1983–84. The Metropolitan Museum of Art
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“Sun Dial” Opera Coat
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Dolce & Gabbana Crystal-appliqué Metallic-brocade Opera Coat Dolce & Gabbana's AW19 collection spotlights sculptural silhouettes and precise tailoring inspired by the elegance of the 1920s art-deco era, epitomised by this opulent, multicoloured opera coat that debuted on the runway. Made in Italy, the metallic floral brocade is shaped to an exaggerated collar and wide-cut sleeves, complete with signature sparkle in the form of bead and crystal appliqués down the front. Complete st
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The 1960's supermodel, Wilhelmina was born in 1940 in the Netherlands. As both a model and models agent, she enjoyed success, international fame, fortune and respect throughout her career two careers. Her birth name is Wilhelmina Behmenburg. Her family moved to Chicago, Illinois in 1954 for better…
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1908 wool coat
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Vogue 9292; ©1957; Cape "Very Easy to Make". Long full cape has optional shaped collar. Arm opening in seams. [insert your photos of this pattern made up] [insert your username, and make sure your preferences allow for people to contact you via e-mail. Do not list your email address here!]
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Evening coat, French, ca. 1920s. Silk velvet, gold lamé, metallic golden thread. Bunka Gakuen Costume Museum
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Opera coat (view 2) Paul Poiret (French, Paris 1879–1944 Paris) Date: 1912 Culture: French Medium: silk, metal Dimensions: Length at CB: 16 1/2 in. (41.9 cm) Credit Line: Purchase, Irene Lewisohn Bequest, 1982 Accession Number: 1982.350.2
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givenchy vintage dress
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Length 60" Can accommodate a range of size depending on desired fit Silk Circa 1920s Very good condition
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Crimson silk satin is a beautiful fabric for an elegant 1960s opera coat
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Shop women’s coats and outerwear at Bergdorf Goodman. Layer on beauty with these grand floral and distinctly colored trench coats.
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As the first couturière to advertise her fashion house by taking a tableau of models to operas and races uniformed in her concoctions, Madame Joseph Paquin nodded incessantly to the showman's dramatic line and the aristocracy's love of luxurious tactile material
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