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Tracey Emin e Philip Larratt-Smith

Tracey Emin e Philip Larratt-Smith

vamos experimentar as vibrações

vamos experimentar as vibrações

Nick Cave by Anton Corbijn

Nick Cave by Anton Corbijn

Tracey Emin/How it feels. Inauguración

Tracey Emin/How it feels. Inauguración

John Franzen cria desenhos que lembram as texturas de tecidos amarrotados ou as ondas do mar, traçando linhas finhas lado-a-lado. cada linha é desenhada durante uma expiração. Artist John Franzen creates textured drawings reminiscent of wrinkled fabric, or waves of water, by drawing tediously placed rows of lines with black ink. 'Each Line One Breath': Morphogenetic Freehand Drawings By John Franzen. Click through for videos.

John Franzen cria desenhos que lembram as texturas de tecidos amarrotados ou as ondas do mar, traçando linhas finhas lado-a-lado. cada linha é desenhada durante uma expiração. Artist John Franzen creates textured drawings reminiscent of wrinkled fabric, or waves of water, by drawing tediously placed rows of lines with black ink. 'Each Line One Breath': Morphogenetic Freehand Drawings By John Franzen. Click through for videos.

Homage To Edvard Munch And All My Dead Children - Tracey Emin (1998)

Homage To Edvard Munch And All My Dead Children - Tracey Emin (1998)

Falso azulejo

Falso azulejo

On 'Why I Never Became a Dancer' 2012 | White Cube

On 'Why I Never Became a Dancer' 2012 | White Cube

Tracy Emin at  Malba – Fundación Costantini

Tracy Emin at Malba – Fundación Costantini

Tracey in Conversation with Philip Larratt-Smith, MALBA  Tracey Emin Homage to Edvard Munch and all My Dead Children 1998  © Tracey Emin Courtesy White Cube  | White Cube

Tracey in Conversation with Philip Larratt-Smith, MALBA Tracey Emin Homage to Edvard Munch and all My Dead Children 1998 © Tracey Emin Courtesy White Cube | White Cube

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