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"Long Day's Journey into Night"by Eugene O'Neill  Scenic design by Fatbardh MARKU

"Long Day's Journey into Night"by Eugene O'Neill Scenic design by Fatbardh MARKU

Annie_large_1.0.0.JPG 1,500×1,125 pixels

Check out the models from David Korins' set design for the revival of Annie at the Palace Theatre on Broadway.

Rinoceronte, by E. Ionesco Stage director: Ernesto Caballero Set design: Paco Azorín Photo: Pedro CHamizo Centro Dramático Nacional

Rinoceronte, by E. Ionesco Stage director: Ernesto Caballero Set design: Paco Azorín Photo: Pedro CHamizo Centro Dramático Nacional

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The Crucible Design Stuart Marshall. Reminds me of Met Opera production of Wanger's Der Ring des Nibelungen.

The Crucible. Towson University. Scenic design by Daniel Ettinger.

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"Long Day's Journey into Night"by Eugene O'Neill  Scenic design by Fatbardh MARKU

"Long Day's Journey into Night"by Eugene O'Neill Scenic design by Fatbardh MARKU

John Gallagher Jr. and Jessica Lange in “Long Day’s Journey Into Night.” Sara Krulwich/The New York Times Related: ‘Hamilton’ Makes History With 16 Tony Nominations

Tony Nominations 2016

I like ceiling that seems to float above the set. Long Day's Journey Into Night. Scenic design by Tom Pye.

stage design for "Tattoo"  [New National Theatre Tokyo]  written by Dea Loher, directed by Toshiki Okada

Chiharu Shiota - stage design for "Tattoo" (Dea Loher) at New National Theatre Tokyo, Japan

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