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Brasília

Brasília

Terminal / Eero Saarinen

Clássicos da Arquitetura: TWA Terminal / Eero Saarinen

Terminal / Eero Saarinen

Vo Trong Nghia Architects adds brick  and bamboo to Vietnam factory interior

Vo Trong Nghia Architects adds brick and bamboo to Vietnam factory interior

Rampas y acceso al Aula Magna de la Universidad Central de Venezuela. Arq. Carlos Raúl Villanueva. 1952-1953. Mural escaleras Carlos González Bogen. 1953.

Rampas y acceso al Aula Magna de la Universidad Central de Venezuela. Arq. Carlos Raúl Villanueva. 1952-1953. Mural escaleras Carlos González Bogen. 1953.

Ludwig Mies van der Rohe’s Neue Nationalgalerie, Berlin, 1962-1968

Ludwig Mies van der Rohe’s Neue Nationalgalerie, Berlin, 1962-1968

Villa Planchart by Gio Ponti

Galeria de Clássicos da Arquitetura: Villa Planchart / Gio Ponti - 6

Villa Planchart by Gio Ponti

Clásicos de Arquitectura: Villa Planchart / Gio Ponti villap5 – Plataforma Arquitectura

Galería de Clásicos de Arquitectura: Villa Planchart / Gio Ponti - 1

Clásicos de Arquitectura: Villa Planchart / Gio Ponti villap5 – Plataforma Arquitectura

High and Over House - Amersham, Buckinghmashire, 1929-31, by Amyas Connell

High and Over House - Amersham, Buckinghmashire, 1929-31, by Amyas Connell

On the shore of an idyllic white sandy beach in Beidaihe New District, a coastal region in eastern China,  rests a monolithic yet classical structure  that contains sublime spaces of aesthetic illumination. The Seashore Library, designed by the Beijing-based studio Vector Architects in 2015, portrays the endless interaction between the manmade and the natural where light, wind and the sound of the ocean enter uninterrupted into the building’s spaces to accentuate its austere lines.

High by the Beach: Seashore Library by Vector Architects

On the shore of an idyllic white sandy beach in Beidaihe New District, a coastal region in eastern China, rests a monolithic yet classical structure that contains sublime spaces of aesthetic illumination. The Seashore Library, designed by the Beijing-based studio Vector Architects in 2015, portrays the endless interaction between the manmade and the natural where light, wind and the sound of the ocean enter uninterrupted into the building’s spaces to accentuate its austere lines.

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Tree House / Matt Fajkus Architecture

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