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“Underneath whatever intellectual rationale artists had been using to justify modernism’s advance—its rejection of realism, of narrative, of the literal representation of the human form—there was a more disturbing truth: The further art got away from the traditions of telling and retelling our dramas, reinvigorating our understanding of what it means to be human, what it means to us to be alive, the more it relinquished its central primacy in the culture.”—Eric Fischl

“Underneath whatever intellectual rationale artists had been using to justify modernism’s advance—its rejection of realism, of narrative, of the literal representation of the human form—there was a more disturbing truth: The further art got away from the traditions of telling and retelling our dramas, reinvigorating our understanding of what it means to be human, what it means to us to be alive, the more it relinquished its central primacy in the culture.”—Eric Fischl

Eric Fischl, Lapping Sounds Along the Shore 1996-1997, Oil on Linen

Eric Fischl, Lapping Sounds Along the Shore 1996-1997, Oil on Linen

Helen Marten, Plank Salad. (2012) Chisenhale v/ Matthew Collings.

Helen Marten, Plank Salad. (2012) Chisenhale v/ Matthew Collings.

Joaquín Sorolla y Bastida, Pescadora valenciana (Valencian Fishergirl), 1916. Oil on canvas, 14.6 x 18.1 in. Private collection

Joaquín Sorolla y Bastida, Pescadora valenciana (Valencian Fishergirl), 1916. Oil on canvas, 14.6 x 18.1 in. Private collection

12 free autumn people

12 free autumn people

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