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Madeira artista gravura portfólio Sue Scullard de impressões que ela é baseada em Kent, Reino Unido

Madeira artista gravura portfólio Sue Scullard de impressões que ela é baseada em Kent, Reino Unido

Madeira artista gravura portfólio Sue Scullard de impressões que ela é baseada em Kent, Reino Unido

Madeira artista gravura portfólio Sue Scullard de impressões que ela é baseada em Kent, Reino Unido

Quando não se está bem, qualquer vento é uma tempestade.

Quando não se está bem, qualquer vento é uma tempestade.

Noonday Rest  A black ink on rag paper woodcut showing  cows grazing and resting under a tree.  The artist described this as a  “composite scene of a typical Kansas vista.”  Noonday Rest was drawn by  Herschel C. Logan, who was born April 19, 1901 in Magnolia, Missouri and  shortly after his birth the family moved to Winfield, Kansas.  He  attended the Chicago Academy of Fine Arts for one year.  Logan was a  commercial and advertising artist in Salina, Kansas, until his  ...

Noonday Rest A black ink on rag paper woodcut showing cows grazing and resting under a tree. The artist described this as a “composite scene of a typical Kansas vista.” Noonday Rest was drawn by Herschel C. Logan, who was born April 19, 1901 in Magnolia, Missouri and shortly after his birth the family moved to Winfield, Kansas. He attended the Chicago Academy of Fine Arts for one year. Logan was a commercial and advertising artist in Salina, Kansas, until his ...

"A criação: adão e eva", xilogravura, Gilvan Samico

"A criação: adão e eva", xilogravura, Gilvan Samico

d3b00506bc16126e072aa6519f89069f.jpg (307×600)

d3b00506bc16126e072aa6519f89069f.jpg (307×600)

Ciro Fernandes. Fim de Forró.

Ciro Fernandes. Fim de Forró.

Hazel, 2000, Woodcut by John Biggers

Hazel, 2000, Woodcut by John Biggers

Havaianas Projetos Coloridos – Site para Empresas – Blog sobre Internet e Criação de Site

Havaianas Projetos Coloridos

Havaianas Projetos Coloridos – Site para Empresas – Blog sobre Internet e Criação de Site

Martin Davidson, linocut could do a similar style via scratching into dried paint. I wonder if mixing in a bit of regular modeling paste would make it easier to scratch. Do a glossy underpainting with a matte color on top. Maybe use the same color for both layers. Lots of experiments possible with this

Martin Davidson, linocut could do a similar style via scratching into dried paint. I wonder if mixing in a bit of regular modeling paste would make it easier to scratch. Do a glossy underpainting with a matte color on top. Maybe use the same color for both layers. Lots of experiments possible with this

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