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Claude Lorrain Wooded landscape; trees on a bank at r. c.1640 Brush drawing in brown wash, touched with pen and brown ink

Brush drawing in brown wash, touched with pen and brown ink © The Trustees of the British Museum

Claude Gellée, dit le Lorrain, 1642

Claude Lorrain View between Tivoli and Subiaco; two figures sitting by a tree-lined road which slopes towards the r. 1642 Pen and brown ink and brown wash Verso: Landscape with trees and a hill Pen and brown ink recto verso

Claude Lorrain Landscape; view from a height, overlooking a river with bridge and wooded banks, towns on low hills in the distance. c1647 Pen and brown ink and brown wash, over graphite

view from a height, overlooking a river with bridge and wooded banks, towns on low hills in the distance. Pen and brown ink and brown wash, over graphite © The Trustees of the British Museum

Etude d'arbres, lavis bistre et rehauts de blanc, 25x26 cm, Chantilly, Musée Condé  © RMN-Grand Palais (domaine de Chantilly) / René-Gabriel Ojéda

Etude d'arbres, lavis bistre et rehauts de blanc, 25x26 cm, Chantilly, Musée Condé © RMN-Grand Palais (domaine de Chantilly) / René-Gabriel Ojéda

Wooded view; a track with trees on either side, leading towards a small hill in the distance, two figures at r. 1635-40 Brush drawing in brown wash, over graphite Claude Lorraine

a track with trees on either side, leading towards a small hill in the distance, two figures at r. Brush drawing in brown wash, over graphite Claude Lorraine

Claude Gellée, known as Claude Lorrain (1600 or 1604/05 – 1682)  circa 1640-45  Graphite, pen and brown ink, brown wash – H. 14.7 cm; W. 20.5 cm

Claude Gellée, known as Claude Lorrain or – circa Graphite, pen and brown ink, brown wash

Spencer Alley: Portraits of trees by Claude Lorrain, 17th century

Claude Lorrain Trees ca. 1650 wash drawing British Museum This group of tree drawings by Claude Lorrain provided me.

Le Paysage à Rome entre 1600 et 1650 à l'École des Beaux-Arts. Claude Gellée, dit Le Lorrain (1604-1682), Études d'arbres, Plume, encre brune, lavis brun, quelques traits de pierre noire. (c) École nationale supérieure des Beaux-arts de Paris - Jean-Michel Lapelerie.

Le Paysage à Rome entre 1600 et 1650 à l'École des Beaux-Arts. Claude Gellée, dit Le Lorrain (1604-1682), Études d'arbres, Plume, encre brune, lavis brun, quelques traits de pierre noire. (c) École nationale supérieure des Beaux-arts de Paris - Jean-Michel Lapelerie.

Claude Lorrain Tree and dance; group of figures dancing (?) at the base of a large tree Black chalk, with grey wash; on buff paper

Claude Lorrain Trees ca. 1650 wash drawing British Museum This group of tree drawings by Claude Lorrain provided me.

Here in the Berkshires an exhibition of Claude Lorrain, "the Raphael of Landscape-painting," as Horace Walpole called him, brings his work into especially sympathetic surroundings. The view from Pine Cobble, the steeper faces of Mt. Greylock, or its splendid waterfall remind us readily enough of the grander sights sketched by Claude and his fellow artists on their forays into the Roman Campagna. This natural beauty even nurtures a predilection for landscape, so that local galleries can ...

Claude Lorrain Landscape Drawings from the British Museum at the Clark - Old Master Drawings .

Antique for sale 18th century painting of goats herder Landscape Painting Picture Fine arts architecture

Antique for sale century painting of goats herder Landscape Painting Picture Fine arts architecture

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