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Rodeo FX was once again called upon to create exceptional environments and immersive 3D matte paintings. However, Rodeo's CG contributions were much larger than on any previous motion picture. In addition to environment work, ILM trusted Rodeo FX to create, simulate, and animate fully CG creatures and vehicles for a variety of sequences. Rodeo FX was also responsible for all the variations of the interior Robot Head shots, which included building and animating a complex CG rig used to ...

Rodeo FX was once again called upon to create exceptional environments and immersive matte paintings. However, Rodeo's CG contributions were much larger…

Brief making of showing some process from modelling to final composition and…

Exeter Shot -- Making Of by Alex Roman. Brief making of showing some process from modelling to final composition and color grading.

Reel

This is "Noah Shulman - Motion Reel" by Sleepless City Productions on Vimeo, the home for high quality videos and the people who love them.

We are proud to present this second video which breaks down a bit more of ILM's visual effects work for the third installment in the Transformers series, "Dark of the Moon."

The Visual Effects of "Transformers: Dark of the Moon" Part 2 We are proud to present this second video which breaks down a bit more of ILM's visual effects work for the third installment in the Transformers series, "Dark of the Moon.

Netflix新美劇Marco Polo的片頭Behind the Work

Traditional Chinese ink paintings spring to life in The Mill's expressive opening to Netflix's Marco Polo.

THE GRANDMASTER  |  Visual Effects Making Of

Making Of The Grandmaster by Buf StudioDirector: Wong Kar WaiProduction: Jet Tone ProductionsNumber of VFX shots: Falling Snow SCLY)Buf Stud

Making of Pacific Rim by ILM

Making of Hong Kong Battle for Pacific Rim by ILMComputer Graphics & Digital Art Community for Artist: Job, Tutorial, Art, Concept Art, Portfolio

A Good Day To Die Hard - SSVFX Taxi Flip Demo VFX Breakdown

A Good Day To Die Hard - Vfx BreakdownScreen Scene VFX spent over a year provided all the Previs for the film, creating Animatics for all of the film’s key action beats as well as handling postviz s

Stadium Shot Breakdown

Here's a little VFX Breakdown of a recent shot that I had to put together for a sequence. Basically, it was about a two week process to build the shot from…

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This is the SFX process montage for the film Iron Man 2 by Prologue films in LA. When I saw that the new Iron Man 2 film had no amazing end credit sequence, .

A little reel showing some of the work I did on my first feature film doing GUI & HUD Motion Graphics while working with the team of artists at Goldtooth Creative under the creative direction of the talented Pablo Gonalez and the rest of the crew.  More of my work: http://www.lorcanoshanahan.com  Music: Phaeleh - The Cold In You (feat. Soundmouse)

Amazing GUI and HUD design that uses Plexus and many aescripts tools by Lorcan O'Shanahan

TRON GFX Solar Sailor by GMUNK. For Disney’s “TRON: Legacy,” Bradley Munkowitz, better known as GMUNK, was the lead animated graphics artist. He assembled and led a team of GFX all-stars who conceived, designed and animated approximately 10 minutes of UI sequences and holograms at Digital Domain for director Joseph Kosinski and visual effects supervisor Eric Barba.

For Disney’s “TRON: Legacy,” Bradley Munkowitz, better known as GMUNK, was the lead animated graphics artist. He assembled and led a team of GFX…

Pacific Rim VFX Breakdown by Hybride - YouTube

For this second collaboration with Director Guillermo del Toro, Hybride delivered graphic design content for the holographic projections inside Jaeger Conn-P.

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