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Book Cover by Alvin Lustig for New Directions Books, 1947

Book Cover, Bookjackets by Alvin Lustig for New Directions Books, 1947

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Let’s take a look at the fantastic grid-based typographic works of living design icon Wim Crouwel.

Romek_marber_7

Romek_marber_7

Czech book covers from the 1920′s & 1930′s

Book cover design and typography by Ladislav Sutnar for Nejmenší dům (The Smallest House) edited by Oldřich Stary and Ladislav Sutnar.

https://www.behance.net/gallery/Typography-Decoration-for-Chat-Date/11035939

Typography Decoration for Chat&Date by Hieu Trieu, via Behance もっと見る

book///  Schiff nach Europa, Markus Kutter / Karl Gerstner, 1957

Schiff nach Europa –– Markus Kutter/Karl Gerstner 1957 (Written by Kutter and 'visually organised' by karl Gerstner.

All sizes | The Longest Journey cover by Alvin Lustig | Flickr Photo Sharing! in…

New post on typographyio

American Graphic Arts Legend, Saul Bass, would have been 94 today: The-Two-Of-Us-poster-007.jpg

American Graphic Arts Legend, Saul Bass, would have been 94 today

Saul Bass, The Two Of Us, Poster, 1967 (via Forget the Film, Watch the Titles - Saul Bass posters and storyboards in London)

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That New York — Chermayeff & Geismar

Herb Lubalin

I love the work of Herbert Lubalin, his work has a really style to them. Each typeface or layout he designed has some beautiful unique aspec.

explora diseño: Otl Aicher

Otl Aicher – Identities for Olympic Games Munich Braun and Lufthansa

Joseph Müller-Brockmann - Musica Viva - Zurich Tonhalle Posters

Musica Viva poster by Joseph Muller-Brockmann, 1958

OLIVETTI SCRITTURA ELETTRICA OLIVETTI MODELLI TRE Giovanni Pintori via lh3.ggpht.com:

OLIVETTI SCRITTURA ELETTRICA OLIVETTI MODELLI TRE Giovanni Pintori via lh3.ggpht.com:

The Art of Poster - The largest collection of Polish posters

The largest collection of Polish posters

Nothing but percussion - Rudolph de Harak

Westminster Records - Nothing But Percussion, Rudolph de Harak

massimo vignelli

Dark Side of Typography

Unimark International, under the direction of Massimo Vignelli, was hired by Knoll in 1967 to create “a corporate look in all its printed matter.” Here is issue number 4 of the Knoll corporate.

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