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This is Motion Graphics !  Design : 鄭凱文 Kevin Cheng 2D Animation : 鄭凱文 Kevin Cheng /徐光慧 Sylvia Hsu 3D Animation : 徐光慧 Sylvia Hsu Cel Animation : 鄭凱文 Kevin Cheng  Advisor : 林美吟 Meiyin Lin Special Thanks : Bito Studio Music : Gotswim - Dutch VO : 李曼寧 Man Ning Li

This is Motion Graphics ! Design : 鄭凱文 Kevin Cheng Animation : 鄭凱文 Kevin Cheng /徐光慧 Sylvia Hsu Animation : 徐光慧 Sylvia Hsu Cel Animation : 鄭凱文 Kevin Cheng Advisor : 林美吟 Meiyin Lin Special Thanks : Bito Studio Music : Gotswim - Dutch VO : 李曼寧 Man Ning Li

Stil de grain is a natural yellow pigment derived from unripe buckthorn berries and favored by painters such as Vermeer, Rembrandt, and Rubens.

Stil de grain

Stil de grain is a natural yellow pigment derived from unripe buckthorn berries and favored by painters such as Vermeer, Rembrandt, and Rubens.

Manganese brown is a mixed oxide of manganese and was only seldom employed in oil painting. The name has been used also for other pigments such as umber.

Manganese brown

Manganese brown is a mixed oxide of manganese and was only seldom employed in oil painting. The name has been used also for other pigments such as umber.

Blue

Blue

Blue verditer is basic copper (II)-carbonate and is the artificial form of the pigment azurite. It was used in oil painting since the 17th century.

Blue verditer

Blue verditer is basic copper (II)-carbonate and is the artificial form of the pigment azurite. It was used in oil painting since the century.

Bister (bistre) is a brown-black natural pigment produced from wood soot and containing much tar. It has been employed mainly in watercolor and drawing.

Bister

Bister (bistre) is a brown-black natural pigment produced from wood soot and containing much tar. It has been employed mainly in watercolor and drawing.

Cobalt yellow was discovered in 1831, but it was never used extensively due to its unsatisfactory chemical stability.

Cobalt yellow

Cobalt yellow was discovered in but it was never used extensively due to its unsatisfactory chemical stability and high price.

Burnt sienna is very similiar to ochres and have been in use since the middle of the 18th century.

Burnt Sienna

Burnt sienna and raw sienna are very similar to ochres and have been in use in European oil painting since the middle of the century.

Vermilion (cinnabar) was one of the most important red pigments from antique times until about the nineteeth century.

Vermilion

Vermilion (cinnabar) was one of the most important red pigments from antique times until about the nineteeth century.

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