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SÃO JOAQUIM - Excepcional imagem esculpida em madeira policromada. Peça magistral. Bahia. Século XVI. Alt. 36 cm. Base R$1.200,00. Set15.

SÃO JOAQUIM - Excepcional imagem esculpida em madeira policromada. Peça magistral. Bahia. Século XVI. Alt. 36 cm. Base R$1.200,00. Set15.

Hendrick ter Brugghen,1588–1629. The Crucifixion with the Virgin and Saint John, ca. 1624–25,  Oil on canvas, 61 x 40 1/4 in. (154.9 x 102.2 cm). The Metropolitan Museum of Art.

Hendrick ter Brugghen,1588–1629. The Crucifixion with the Virgin and Saint John, ca. 1624–25, Oil on canvas, 61 x 40 1/4 in. (154.9 x 102.2 cm). The Metropolitan Museum of Art.

Saint George and the Dragon, ca. 1330. Austrian, Vienna. The Metropolitan Museum of Art, New York. Bashford Dean Memorial Collection, Funds from various donors, 1929 (29.158.770)

Saint George and the Dragon, ca. 1330. Austrian, Vienna. The Metropolitan Museum of Art, New York. Bashford Dean Memorial Collection, Funds from various donors, 1929 (29.158.770)

Simone Martini (Italian, active by 1315–died 1344). Saint Andrew, ca. 1326. The Metropolitan Museum of Art, New York. Gift of George Blumenthal, 1941 (41.100.23) #mustache #movember

Simone Martini (Italian, active by 1315–died 1344). Saint Andrew, ca. 1326. The Metropolitan Museum of Art, New York. Gift of George Blumenthal, 1941 (41.100.23) #mustache #movember

Jusepe de Ribera (called Lo Spagnoletto) (Spanish, 1591–1652). The Tears of Saint Peter, ca. 1612–13. The Metropolitan Museum of Art, New York. Purchase, Gift of Mrs. William M. Haupt, from the collection of Mrs. James B. Haggin, by exchange, and 2011 Benefit Fund, 2012 (2012.416) #mustache #movember

Jusepe de Ribera (called Lo Spagnoletto) (Spanish, 1591–1652). The Tears of Saint Peter, ca. 1612–13. The Metropolitan Museum of Art, New York. Purchase, Gift of Mrs. William M. Haupt, from the collection of Mrs. James B. Haggin, by exchange, and 2011 Benefit Fund, 2012 (2012.416) #mustache #movember

Reliquary: Saint Thekla. German, late 15th-early 16th century. This bust reliquary of Saint Thekla might have housed a relic from her upper body or simply reflected the active presence of the saint. Thekla holds the instruments of her torture - a column with flames licking at its base and a lioness. Princeton University Art Museum, Princeton, New Jersey.

Reliquary: Saint Thekla. German, late 15th-early 16th century. This bust reliquary of Saint Thekla might have housed a relic from her upper body or simply reflected the active presence of the saint. Thekla holds the instruments of her torture - a column with flames licking at its base and a lioness. Princeton University Art Museum, Princeton, New Jersey.

Saint Barbara, mid-15th century. French. The Metropolitan Museum of Art, New York. Gift of Edward G. Sparrow, 1950 (50.159) | This sculpture was probably meant to be seen against a pier or in a niche behind an altar in a French parish church. #Cloisters

Saint Barbara, mid-15th century. French. The Metropolitan Museum of Art, New York. Gift of Edward G. Sparrow, 1950 (50.159) | This sculpture was probably meant to be seen against a pier or in a niche behind an altar in a French parish church. #Cloisters

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