John Ruskin, The Seven Lamps of Architecture, 1855 Plate VII "Pierced Ornaments from from Lisieux, Bayeux, Verona, and Padua," p. 87
John Ruskin, The Seven Lamps of Architecture, 1855 Plate IV, Intersectional Mouldings, p. 59

John Ruskin, The Seven Lamps of Architecture, 1855 Plate IV, Intersectional Mouldings, p.

John Ruskin, The Seven Lamps of Architecture, 1855 Plate VI, "Arch from the Façade of the Church of San Michele, Lucca," p. 84

John Ruskin - The Seven Lamps of Architecture, 1855 (Plate VI, "Arch from the Façade of the Church of San Michele, Lucca"

John Ruskin, The Seven Lamps of Architecture, 1855. Traceries from Caen, Bayeux, Rouen, and Beauvais. R. P. Cuff, engraver. Scanned by George P. Landow for victorianweb.org.

John Ruskin - Traceries from Caen, Bayeux, Rouen, and Beauvais - 'The Seven Lamps of Architecture - 1855

ACT I SCENE ii [Архитектура в акварели Джона Рескина (John Ruskin) (32 работ)]

ACT I SCENE ii [Архитектура в акварели Джона Рескина (John Ruskin) (32 работ)]

John Ruskin, The Seven Lamps of Architecture, 1855 Plate VIII, Window from the Ca' Foscari, Venice, p. 88

John Ruskin, The Seven Lamps of Architecture, 1855 Plate VIII, Window from the…

The Stones of Venice, John Ruskin
John Ruskin - Illustration for The Stones of Venice

Illustration for The Stones of Venice I 1851 I "Art is not a study of positive reality, it is the seeking for ideal truth." I John Ruskin

John Ruskin, The Seven Lamps of Architecture, 1855 Ornaments from Rouen, St. Lô, and Venice, p. 25 John Ruskin R. P. Cuff, engraver 1855 6 7/8 x 4 5.32 inches Plate I, The Seven Lamps of Architecture in Works, 8.16 #medievalism

This drawing demonstrates the beautiful detail that can be created with pencil. I also like the warmth and life that pencil creates, compared to the deliberate industrial feeling of pen and ink.

John Ruskin - The Elements of Drawing

Welcome to the Ashmolean Museum's Elements of Drawing website, presenting John Ruskin’s teaching collection and his instructions to students at his drawing school in Oxford.

ruskin | John Ruskin - Detail of the facade of San Michele in Foro, Lucca, 1845 ...
drawingdetail: John Ruskin, Capital 36 of the Ducal Palace, Venice, 1849-1852. Pencil and wash, 22.3 x 23.5 cm.
oldbookillustrations:Traceries from Caen, Bayeux, Rouen and Beauvais. From The complete works of John Ruskin, vol. 1, New York, 1900. Via archive.org
John Ruskin, The Seven Lamps of Architecture, 1855 Plate IX, Tracery from the Camapnile of Giotto, Florence, p. 94
John Ruskin
Ruskin, John - The northern Arch of the west Entrance of Amiens Cathedral

Welcome to the Ashmolean Museum's Elements of Drawing website, presenting John Ruskin’s teaching collection and his instructions to students at his drawing school in Oxford.

Pinterest
Search