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John Ruskin, 1819-1900. O layout e as margens remetem para tradições do Arts and Crafts, de produção de manuscritos Medievais. A type é uma adaptação de uma fonte italiana do século XV.

William Morris, 1834-1896. Gothic architecture: a lecture for the Arts and crafts Exhibition Society. [Hammersmith, London, Kelmscott Press], [1893]

Jacobus, c.1229-1298. The Golden Legend. Volumes 1 & 2 Hammersmith, Kelmscott Press ; sold by B. Quaritch, London 1892. Original half linen binding. Only 500 copies printed.

Jacobus, c.1229-1298. The Golden Legend. Volumes 1 & 2 Hammersmith, Kelmscott Press ; sold by B. Quaritch, London 1892. Original half linen binding. Only 500 copies printed.

Oliver Goldsmith, 1730?-1774. The deserted village. [London, E. Arnold : New York, S. Buckley], [1904]. Essex House Press, Campden, Gloucestershire, under the care of & with a frontispiece by C.R. Ashbee. “150 copies only, and all on vellum. This is copy no. 89.” The illus. are hand coloured; the first initial is in gold leaf, the other initials are in red, blue or green.

John Keats, 1795-1821. The eve of St. Agnes. London : E. Arnold, [1900].

Oliver Goldsmith, 1730?-1774. The deserted village. [London, E. Arnold : New York, S. Buckley], [1904]. Essex House Press, Campden, Gloucestershire, under the care of & with a frontispiece by C.R. Ashbee. “150 copies only, and all on vellum. This is copy no. 89.” The illus. are hand coloured; the first initial is in gold leaf, the other initials are in red, blue or green. Vellum cover embossed with floral emblem and the words: Soul is form.

Morris, William, News from Nowhere - first page of text (chapter one) and facing page (with illustration) Printed at the Kelmscott Press, Upper Mall, Hammersmith, November 1892.

Geoffrey Chaucer, -1400. The works of Geoffrey Chaucer, now newly imprinted. [Hammersmith, William Morris, [1896]. Edited by F.S. Ellis; ornamented with pictures designed by Sir Edward Burne-Jones, and engraved on wood by W.H. Hooper. Printed by William Morris at the Kelmscott Press, Upper Mall, Hammersmith, May, 1896..

Auguste Lumiere, Louis Lumiere The Lumiere Brothers' - First films (1895) Os primeiros filmes dos irmãos Lumiere eram caracterizados pelo seu caracter documental. O ponto de vista era fixo e a acção surgia no centro do plano amplo. Não existiam cortes na acção nem montagens, sendo o ponto de vista igual ao de um espectador de teatro.