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eastmanhouse:  Palmyra: A Sculptured Capital, SyriaOriginal photographer: Félix Bonfils ca. 1870albumen print23.2 x 28.4 cm.

eastmanhouse: Palmyra: A Sculptured Capital, SyriaOriginal photographer: Félix Bonfils ca. 1870albumen print23.2 x 28.4 cm.

Original Mouse Reduction Lino Print by LucieFrancis on Etsy, £20.00

Original Mouse Reduction Lino Print by LucieFrancis on Etsy, £20.00

Edward Penfield (American, 1866–1925). HARPER'S / JULY, 1894. The Metropolitan Museum of Art, New York. Leonard A. Lauder Collection of American Posters, Gift of Leonard A. Lauder, 1984 (1984.1202.75)

Edward Penfield (American, 1866–1925). HARPER'S / JULY, 1894. The Metropolitan Museum of Art, New York. Leonard A. Lauder Collection of American Posters, Gift of Leonard A. Lauder, 1984 (1984.1202.75)

Honoré Daumier (French, 1808–1879). A Summer Sketch: Parisians in the Countryside, 1857. The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1936 (36.12.185)

Honoré Daumier (French, 1808–1879). A Summer Sketch: Parisians in the Countryside, 1857. The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1936 (36.12.185)

Luka Va

Greeting card - Bird King

Luka Va

Mr. Rabbit and the Lovely Present, by Maurice Sendak

Mr. Rabbit and the Lovely Present, by Maurice Sendak

Twelve Animals of the Chinese Zodiac | China | Qing dynasty (1644–1911) | The Met

Twelve Animals of the Chinese Zodiac | China | Qing dynasty (1644–1911) | The Met

Henry Louis Stephens (American, 1824–1882). Hum-Bug (P. T. Barnum), from the Comic Natural History of the Human Race, 1851. The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953 (53.607(38))

Henry Louis Stephens (American, 1824–1882). Hum-Bug (P. T. Barnum), from the Comic Natural History of the Human Race, 1851. The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953 (53.607(38))

ancientpeoples:  Marble Statue of a Harp Player2800-2700 BC  Late Early Cycladic I–Early Cycladic II    A male figure playing a stringed instrument sits on a high-backed chair. This work is one of the earliest of the small number of known representations of musicians. It is distinguished by the sensitive modelling of the arms and hands.(Source: The Met Museum)

ancientpeoples: Marble Statue of a Harp Player2800-2700 BC Late Early Cycladic I–Early Cycladic II A male figure playing a stringed instrument sits on a high-backed chair. This work is one of the earliest of the small number of known representations of musicians. It is distinguished by the sensitive modelling of the arms and hands.(Source: The Met Museum)

Lover’s Eyes, ca. 1840. The Metropolitan Museum of Art, New York. Dale T. Johnson Fund, 1999 (1999.313)

Lover’s Eyes, ca. 1840. The Metropolitan Museum of Art, New York. Dale T. Johnson Fund, 1999 (1999.313)

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