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It's no secret that the great Northwest has a world renowned art scene and La Conner happens to be home to many of the artists and a thriving creative community. See amazing artwork from local and surrounding area artists during your stay at the Channel Lodge or Country Inn. inspiration awaits! Gwen Knight's retrospective exhibit is at La Conner's Museum of Northwest Art

Saturday Q&A: Painter gets her due after Jacob's death

It's no secret that the great Northwest has a world renowned art scene and La Conner happens to be home to many of the artists and a thriving creative community. See amazing artwork from local and surrounding area artists during your stay at the Channel Lodge or Country Inn. inspiration awaits! Gwen Knight's retrospective exhibit is at La Conner's Museum of Northwest Art

✨ Sophie Anderson (1823-1903) - The flower girl, Capri, signed and inscribed 'S. Anderson/ Capri' (lower right), oil on canvas, 36 x 28 in. (91.4 x 71.2 cm.)

✨ Sophie Anderson (1823-1903) - The flower girl, Capri, signed and inscribed 'S. Anderson/ Capri' (lower right), oil on canvas, 36 x 28 in. (91.4 x 71.2 cm.)

Eugen von Blaas (Albano, 1843– Venice, 1931) - Venetian Woman by ARTECULTURA, via Flickr

Eugen von Blaas (Albano, 1843– Venice, 1931) - Venetian Woman by ARTECULTURA, via Flickr

Henry Taylor | The Studio Museum in Harlem

Henry Taylor | The Studio Museum in Harlem

10.2k Likes, 75 Comments - Laura Callaghan (@lauracallaghanillustration) on Instagram: “Get your greek on 🏺#saskiadiez #watercolour”

10.2k Likes, 75 Comments - Laura Callaghan (@lauracallaghanillustration) on Instagram: “Get your greek on 🏺#saskiadiez #watercolour”

Edwin Long - The Babylonian Slave Market (1875) - Detail

Edwin Long - The Babylonian Slave Market (1875) - Detail

Henry Taylor

Henry Taylor

Kerry James Marshall, A Portrait of the Artist as a Shadow of His Former Self, 1980

Kerry James Marshall, A Portrait of the Artist as a Shadow of His Former Self, 1980

An Ancient Custom (1877) by Edwin Longsden Long

An Ancient Custom (1877) by Edwin Longsden Long

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