Insignia of the Portuguese Royal Order of the Knights of Our Lord Jesus Christ. Gold, silver, diamonds, rubies and emeralds. 1780.

Insignia of the Portuguese Royal Order of the Knights of Our Lord Jesus Christ. Gold, silver, diamonds, rubies and emeralds. 1780.

An 18th century gold and diamond suite, probably Portuguese  The laça bodice ornament designed as an openwork bow, suspending a similarly decorated cross pendant, collet-set throughout with rose and table-cut diamonds in closed-back settings, accompanied by a pair of similarly set dress ornaments designed as stylised bows, lengths: bodice 9.5cm, dress ornaments 4.3cm and 4.5cm

An 18th century gold and diamond suite, probably Portuguese The laça bodice ornament designed as an openwork bow, suspending a similarly decorated cross pendant, collet-set throughout with rose and table-cut diamonds in closed-back settings, accompanied by a pair of similarly set dress ornaments designed as stylised bows, lengths: bodice 9.5cm, dress ornaments 4.3cm and 4.5cm

Broach of Queen Maria Pia of Portugal gifted by her father, the king of Italy, Vittorio Emanuele II. Made in Torino by Musy Padre e Figli in silver, gold, diamonds and two grey pearls

Broach of Queen Maria Pia of Portugal gifted by her father, the king of Italy, Vittorio Emanuele II. Made in Torino by Musy Padre e Figli in silver, gold, diamonds and two grey pearls

Diamond and emerald pendant and pair of earrings, Portugal, 18th century, Colombian emeralds, diamonds, gold, silver, gross weight: approx. 66.7 g, pendant weight: approx. 7.8 g, earrings: approx. 5 cm

Diamond and emerald pendant and pair of earrings, Portugal, 18th century, Colombian emeralds, diamonds, gold, silver, gross weight: approx. 66.7 g, pendant weight: approx. 7.8 g, earrings: approx. 5 cm

PASTE PENDANT, PORTUGUESE LATE 18TH CENTURY Designed as a Latin cross, suspended from a tied ribbon bow surmount, similarly decorated to the cardinal points, set with foil backed table-cut and cushion-shaped paste of yellow tint, highlighted with circular-shaped near-colourless paste

PASTE PENDANT, PORTUGUESE LATE 18TH CENTURY Designed as a Latin cross, suspended from a tied ribbon bow surmount, similarly decorated to the cardinal points, set with foil backed table-cut and cushion-shaped paste of yellow tint, highlighted with circular-shaped near-colourless paste

TOPAZ AND DIAMOND DEVANT DE CORSAGE, PORTUGUESE SECOND HALF OF THE 18TH CENTURY.  Designed as a stylised open work tied ribbon bow, centring on a circular cluster, suspending a pear-shaped drop, set with foil backed mixed-cut topaz, table- and rose-cut diamonds, detachable drop.

TOPAZ AND DIAMOND DEVANT DE CORSAGE, PORTUGUESE SECOND HALF OF THE 18TH CENTURY. Designed as a stylised open work tied ribbon bow, centring on a circular cluster, suspending a pear-shaped drop, set with foil backed mixed-cut topaz, table- and rose-cut diamonds, detachable drop.

Brincos antigos tipo medalha de gramalheira ouro, pedras vermelhas, turquesas Viana, Portugal

Brincos antigos tipo medalha de gramalheira ouro, pedras vermelhas, turquesas Viana, Portugal Mais

SILVER, CHRYSOBERYL AND RUBY PENDANT, PORTUGUESE SECOND HALF OF THE 18TH CENTURY.  Of stylised flower head design decorated with foil backed mixed-cut chrysoberyl, highlighted by a circular-cut ruby, to surrounds of foliage and suspending an articulated open work tassel set with mixed-cut chrysoberyl, later brooch fitting, original unusually shaped tooled leather fitted case.

SILVER, CHRYSOBERYL AND RUBY PENDANT, PORTUGUESE SECOND HALF OF THE 18TH CENTURY. Of stylised flower head design decorated with foil backed mixed-cut chrysoberyl, highlighted by a circular-cut ruby, to surrounds of foliage and suspending an articulated open work tassel set with mixed-cut chrysoberyl, later brooch fitting, original unusually shaped tooled leather fitted case.

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